Inside The Mind of Collins Okoh, A Visionary Architect of Nigerian Cinema

In the vibrant tapestry of Nigeria’s film industry, one name stands out as a master storyteller and creative force—Collins Okoh. A prolific writer, Okoh has left an indelible mark on the landscape of Nigerian cinema with his compelling narratives and exceptional storytelling prowess.

Hailing from the heart of Nigeria, Collins Okoh has co-written two blockbuster movies that have soared to the top of the box office charts, captivating audiences nationwide. “A Tribe Called Judah” and “Omo – Ghetto” are not just movies; they are cinematic experiences that reflect Okoh’s deep understanding of the human condition and his ability to weave intricate tales that resonate with a diverse audience. Beyond the silver screen, Okoh has also lent his storytelling brilliance to the small screen with his contributions to popular shows like “My Siblings and I.” His creative fingerprint is evident in the engaging plots and memorable characters that have become synonymous with his work.

Okoh’s writing is a celebration of the rich cultural tapestry of Nigeria, blending tradition with contemporary themes to create narratives that are both authentic and universal. His dedication to bringing diverse stories to life has not only earned him accolades within the industry but has also contributed to the evolution of Nigerian cinema on the global stage.

As a literary architect, Collins Okoh gives us a peek into his mind.

Collins Okoh – Image Supplied

Tell me about your background.

I’m originally from Delta State, Nigeria. My entire childhood was experienced there with my family. I am also the youngest in the family. I completed my formal education in Delta State, and in 2015, I left for the National Youth Service Corps (NYSC) in Ilorin.

What has your journey been like as a writer in the Nigerian film industry?

My journey as a writer in the Nigerian film industry has been a mix of highs and lows, but overall, it’s been quite fulfilling. Writing has always been a passion of mine, even before I fully immersed myself in screenwriting. The transition to screenwriting full-time felt natural, given my background and love for storytelling.

I had my first significant opportunity when I was tasked with writing a show for African Magic MNET, titled ‘My Siblings and I.’ This was a pivotal moment for me as I had the chance to collaborate with a renowned filmmaker on the project. It felt like I took a leap and landed close to the top. Unlike some writers who start small and gradually work their way up, I was fortunate to dive into a substantial project early in my career, and I seized that opportunity. While I’ve encountered challenges and faced some disappointments along the way, I can confidently say that the overall experience has been great.

Writing holds a special place for me because it feels like a natural extension of who I am. I find a deep connection to writing, and it flows effortlessly from within me. This connection dates back to my early years when I started keeping a diary. The diary allowed me to express myself without any external influence.

What made you switch from pharm-boy to scriptwriting?

I made the switch from Pharmacology to script writing because of my deep-seated love for writing. Looking back, I realize that when I initially chose my course of study at the university, I might have been somewhat ill-informed about my true passion. If I had been more aware, I might have opted for a field like literature or English, which is closely related to writing.

A Tribe Called Judah

At the time, my decision was influenced by a desire to secure my future. I knew I had a passion for writing, but I also wanted to have a backup plan in case a career in writing didn’t pan out immediately. The idea was to obtain a degree that would serve as a safety net while still allowing me to pursue my writing aspirations on the side. Reflecting on it now, I am confident that if I had focused solely on writing from the beginning without the diversion into another course of study, I would have grown significantly in my career by now. I’m optimistic about making up for lost time, and I believe there’s still ample time for me to thrive in this field.

Of all the mediums of creativity, why writing?

Writing holds a special place for me because it feels like a natural extension of who I am. I find a deep connection to writing, and it flows effortlessly from within me. This connection dates back to my early years when I started keeping a diary. The diary allowed me to express myself without any external influence. I took immense pleasure in crafting stories, some of which my dad had the chance to read, while others remained tucked away, intentionally kept private. My love for writing isn’t driven solely by a desire to earn from it or to have an audience; it’s an innate inclination. Writing has always been a means for me to translate my emotions, thoughts, and experiences onto paper, to give them a tangible form through words.

Two movies co-written by you top the box office charts. How does that make you feel?

I wouldn’t say I feel accomplished, as there’s always more to aspire to, but it’s undeniable that this success has brought a sense of visibility and recognition into my professional life. Being acknowledged for my work is immensely rewarding, and I appreciate the spotlight it has placed on my contributions.

However, it’s essential to address the misconception that the financial success of these movies directly translates to personal wealth. While the recognition is cherished, the financial aspects depend on the terms outlined in my contract. It’s not a direct correlation where all the billions earned automatically belong to me. I am happy with the recognition received so far, and I’m eager to continue growing in my craft. The success motivates me to strive for more, to garner additional recognition, and to enhance the quality of my work in future projects. I’m optimistic about the journey ahead and look forward to achieving greater milestones in my career.

Omo Ghetto The Saga

What challenges did you experience in creating a tribe called Judah and how did you overcome them?

The challenges encountered in creating ‘A Tribe Called Judah’ were not entirely distinct from those faced in other projects. One notable hurdle was dealing with writer’s block, a common obstacle that often arises when determining the direction a film should take and what would resonate with the audience. This collaborative writing process, involving a team, presented its own set of challenges, as opinions and perspectives needed to align to craft a cohesive narrative.

Additionally, time constraints posed a significant challenge. The pressure to develop a compelling script within a limited timeframe added an extra layer of complexity to the project. To address the writer’s block, I adopted various strategies. Stepping away from the laptop and immersing myself in different environments proved beneficial. I found solace and inspiration near water bodies, such as the beach or pool, where the sound of rushing water often sparked creativity. Engaging in activities I enjoyed, like playing video games, provided a refreshing break and sometimes unlocked hidden reserves of creativity. Moreover, seeking conversations with individuals I considered brilliant, including other writers, poets, and songwriters, became a valuable resource. Interacting with like-minded individuals during moments of creative blockage often led to fresh perspectives and a renewed sense of inspiration.

The essence of storytelling is often diluted when external influences, particularly from individuals with personal agendas, impact the creative process.

As a writer, what fears did you have at the beginning of your journey, and are those fears still present?

I had the fear of leaving the world of Pharmacology for a career in writing. There was a lingering worry that I might not generate enough income to sustain myself and my family solely through writing. Despite my deep passion for the craft, there was a genuine concern about the financial viability of pursuing writing as a full-time career. Over time, these fears have been somewhat subdued, although not entirely eradicated. The second fear revolved around creativity and the potential for a creative deficit over time. If there would be a decline in the quality of my work. This fear persists to some degree even now.

What would it be if you could change one thing about the Nigerian film industry?

If there’s one thing I could change about the Nigerian film industry, it would undoubtedly be to place a greater emphasis on storytelling. I believe in granting more creative freedom to skilled screenwriters who possess the ability to craft compelling narratives. The essence of storytelling is often diluted when external influences, particularly from individuals with personal agendas, impact the creative process. My ideal change would involve creating an environment where screenwriters are allowed to write without unnecessary interference. This would mean minimizing the involvement of external parties, such as investors or individuals with personal connections to the project, in decisions related to the plot, characters, and overall storytelling.

Collins Okoh – Image Supplied

Do you see yourself as a fully fleshed-out writer or someone tapping into his talent?

At this point in my journey, I see myself as someone who is still tapping into their talent rather than a fully fleshed-out writer.

What advice would you give to young writers following the path you’re treading?

Firstly, I encourage them to diligently document their stories. Every thought, idea, or fleeting inspiration should be documented. This becomes a valuable resource in their writing journey, serving as a wellspring of ideas and insights. Secondly, I emphasize the importance of writing for passion rather than immediate financial gains. The early stages of a writing career can be financially challenging, with offers that may not reflect the true value of the writer’s skill. Facing such hurdles requires a strong focus on the love for storytelling rather than monetary rewards. Tolerance and endurance are crucial virtues during this period, and it’s essential to keep the passion for writing alive despite financial challenges. Additionally, young writers should approach their craft with bravery. In summary, document your stories, write for passion, endure financial challenges with resilience, and approach storytelling with bravery.